But 20 years earlier, Martha Reeves pounded out a powerful version on her debut solo album, which was produced by a hot producer of the time, Richard Perry.
The album was dominated by many top session musicians from that era, among them Billy Preston, Klaus Voorman, Nicky Hopkins, and Jim Keltner.
I don't know if they played on this cut.
Reeves does a spectacular job on this song. However, Perry's production was a bit over the top. A singer with Reeves talents didn't need a huge amount of support.
But still, this is a killer performance by Reeves.
This song was included on Thelma and Louise soundtrack.
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